Oh! just, subtle, and mighty opium! that to the hearts of poor and rich alike, for the wounds that will never heal, and for ‘the pangs that tempt the spirit to rebel,’ bringest an assuaging balm; eloquent opium! that with thy potent rhetoric stealest away the purposes of wrath; and to the guilty man, for one night givest back the hopes of his youth, and hands washed pure of blood; and to the proud man, a brief oblivion for
     Wrongs unredress’d, and insult unavenged …

bottle of heroin from Bayer Pharmaceutical, ca 1901.
 

With the beautiful and impassioned praise to opium above – lifted from Thomas De Quincey's 1821 autobiographical Confessions of an English Opium-Eater – we dedicate this issue of American Ethnography Quasimonthly to what De Quincey calls the brief oblivion, and we’ve gathered together for you three quite different ethnographic takes on the theme of taking dope.

Homeless heroin addicts

At the ex­treme op­posite end of the spec­trum from De Quincey’s ro­mantic opium de­scrip­tions, is Philip­pe Bourgois’ and Jeff Schon­berg’s new book Right­eous Dope­fiend. Bour­gois and Schon­berg spent over a decade doing field work with two dozen home­less heroin and crack ad­dicts on the streets of San Fran­cisco, and prod­uced an extra­ordinary well-crafted docu­mentation of this dys­topian side of Ame­rican society. While reading the book, we found our­selves thin­king “it’s like the hobo stories from Jack London’s The Road gone hor­ribly, hor­ribly wrong.“ Still, that doesn’t fully do this depres­sing gris­liness justice. Parti­cularly dark and un­romantic is Schon­berg’s photo­graphy. Exactly how dark is it? Well, let’s just say that the photo of the guy smoking crack through his tracheo­tomy hole comes across as a rela­tively jolly image. This is an ethno­gra­phic tour de force, and we’re stoked to have an ex­cerpt from Bourgois’ and Schonberg’s book.

 

The perfect whatever drug

While he has also re­ported the dead end lives that Bour­gois and Schon­berg docu­ment, anthro­pologist Michael Agar tries to de­scribe what he calls, in an email to Ame­rican Ethno­graphy, “that first se­ductive dance with the drug, the song of the opiate siren, the early high times before bio­logy takes over bio­graphy.” Agar is a vet­eran of anthro­po­logical re­search on drug ad­dicts, and has worked with, among others, the U.S. Pub­lic Health Ser­vice and a New York State treat­ment program going by the Soviet science fiction name of Nar­cotic Ad­dict­ion Con­trol Com­mis­sion. In his book Dope Dou­ble Agent: The Naked Emp­eror on Drugs, Agar writes:

“I final­ly got around to trying heroin myself. (...) A guy I’d helped out with a couple of phone calls asked me if I’d ever used it. No, I hadn’t. Wasn’t I cur­ious? Of course I was.”

He­roin is, he con­cludes after his ex­per­ience, “the per­fect what­ever drug.” Read about it in this excerpt from Dope Dou­ble Agent.

 

What you need to get high

We have fea­tured Howard Becker’s writing prev­iously in Ame­rican Ethno­graphy (see our Suck­ing a Sad Poem out of Ame­rica onto Film issue). Again we want to bring to your at­tention one of his earlier articles – “Be­coming a Mari­huana User” from 1953. Here Becker shines bril­liantly with his typical scien­tific elo­quence, as he de­scribes the psycho­logical and social factors that need to be in place for a neo­phyte to suc­cesful­ly get high, and later be “wil­ling and able to use the drug for plea­sure when the op­portunity presents itself.”

Read on in this beautiful piece of social science, Becoming a Marihuana User.

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