Lowrider car parked in garage. Water damage on the garage walls behind the car. Black and white poster showin Jim Morrison on garage wall, hung sideways. Some spraypainted black tag on the wall. Finger of photographer slightly covering camera lens.

Lowrider

Los Angeles, 2005. (The photo is not from the book referred to in the text to the right.)

Photo: Martin Høyem

 

Lowrider Space

We take a special interest in scientific works on outlaw aesthetics here at American Ethnography Quasimonthly. And we also love us some writing on car customization. Thus, when we heard about Ben Chappell’s Lowrider Space, a new publication from the University of Texas Press, we perked up: any academic hep cat who takes a look at lowriders is cool, calm, and a solid wig as far as we’re concerned.

Lowrider Space draws on Chappell’s participant observation fieldwork among car clubs in Austin, Texas. He describes how the lowrider culture creates a social space for its participants, and he points to the value of this space for a group of people who – because of their social status in the society they live in – are often denied access to other spaces.

It’s a cool piece of research, and we’re stoked to share with you an excerpt from the book. Here’s “Regulating Lowrider Space.”

Posada’s Calaveras

We’ve dug out some of our favorite prints by legendary Mexican engraver José Guadalupe Posada.

Burlesque Poster Design

From the Folies Bergère to the retro-inspired scene of today, the finest, raunchiest, most teasing poster art from the world of burlesque.

Hot Rod Kulture Culture

“A good thing about Polaroids,” artist and photographer Jack Butler says, “is that you take the picture and it’s ready right away, so you can use the photo to initiate a conversation with your subjects.”

Southern California Lowriders

In 2005, while he was doing fieldwork among lowriders in the southwestern states of USA, American Ethnography’s owner and editor Martin Hoyem photographed the people he met and their cars. We made this gallery of his photographic documentation: Southern California Lowriders: Los Angeles 2005.

 

Abstract Leanings

With a distinct bouquet of gasoline fumes and burnt rubber, these Robt. Williams’ automobile related oil paintings will chase you down like ethnographic hallucinations, vibrantly artistic, generously fantastic.

What else?

Have you got some good stuff you think American Eth­no­gra­phy Quasi­monthly should cover? Please send us an email and tell us about it!

Proposal to perfume within your region

“It is my wish to book with you for a group of 10 students coming from Germany, as they are preparing for their contracted proposal to perfume within your region.”

More on our feedback page.

 

Photo: Penny De Los Santos

Anthropologist Johan Pottier once wrote that food is “the most powerful instrument for expressing and shaping interactions between humans.” Recently we came across the work of Penny De Los Santos, who says she explores and celebrates culture, history and community through the lens of food. Here’s a gallery of De Los Santos’ work.

What’s all this, then?
Black and white pen drawing of car interior with chain steering wheel.

American Ethnography is a stranger in a 1972 Riviera, sunburst yellow banged up and dirty, raving coffee madness cruising Main Street of the quiet desert town at 15 miles an hour …”

 
Record sleeve art: Velvet Underground Velvet Underground & Nico

Today we’re digging Velvet Underground & Nico by Velvet Underground.

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  • American Ethnography Quasimonthly is published by the Intercontinental Institute for Awesome Anthropology and Ethnographic Excellence
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