Lowrider car parked in garage. Water damage on the garage walls behind the car. Black and white poster showin Jim Morrison on garage wall, hung sideways. Some spraypainted black tag on the wall. Finger of photographer slightly covering camera lens.


Los Angeles, 2005. (The photo is not from the book referred to in the text to the right.)

Photo: Martin Høyem


Lowrider Space

We take a special interest in scientific works on outlaw aesthetics here at American Ethnography Quasimonthly. And we also love us some writing on car customization. Thus, when we heard about Ben Chappell’s Lowrider Space, a new publication from the University of Texas Press, we perked up: any academic hep cat who takes a look at lowriders is cool, calm, and a solid wig as far as we’re concerned.

Lowrider Space draws on Chappell’s participant observation fieldwork among car clubs in Austin, Texas. He describes how the lowrider culture creates a social space for its participants, and he points to the value of this space for a group of people who – because of their social status in the society they live in – are often denied access to other spaces.

It’s a cool piece of research, and we’re stoked to share with you an excerpt from the book. Here’s “Regulating Lowrider Space.”

Photo gallery: Lapdancer

Photographer Juliana Beasley worked eight years as a professional nude dancer, using her camera to document the clubs she worked in, her co-workers, and the customers. Here are some of her photos.

The Peyote Cult

We’ve dug out for you, Morris Edward Opler’s review of Weston La Barre’s The Peyote Cult from 1939.

The Concept of Race

“The chief objection to the term ‘race’ with reference to man is that it takes for granted as solved problems which are far from being so and tends to close the mind to problems to which it should always remain open.” Read on in Ashley Montagu’s article from 1962, The Concept of Race.

Posada’s Calaveras

We’ve dug out some of our favorite prints by legendary Mexican engraver José Guadalupe Posada.


Graduate School

Set in a depraved and desperate Montreal underworld, here’s a pitiless and darkly comic exposé of a dope hungry intellectual who educates himself in the art of hustling access to the contents of pharmacy cabinets. We’re proud we’ve been allowed to share with our readers Paul Knobloch’s real gone piece of fictional autoethnography.

What else?

Have you got some good stuff you think American Eth­no­gra­phy Quasi­monthly should cover? Please send us an email and tell us about it!

Proposal to perfume within your region

“It is my wish to book with you for a group of 10 students coming from Germany, as they are preparing for their contracted proposal to perfume within your region.”

More on our feedback page.


Photo: Martin Hoyem

It’s around noon, late October, in a small town on the northwestern edge of the Colorado Desert. The outside air is clean and fresh, almost cold. A breeze blows through an open balcony door. Indoors, a modestly sized living room is jam-packed with dazzling paraphernalia, effects from the glamorous past of the lady who lives here. She’s worked in burlesque since the early 1960s.

Read the rest of our interview with Satan’s Angel here.

What’s all this, then?
Black and white pen drawing of car interior with chain steering wheel.

American Ethnography is a stranger in a 1972 Riviera, sunburst yellow banged up and dirty, raving coffee madness cruising Main Street of the quiet desert town at 15 miles an hour …”

Record sleeve art: The Sonics Introducing The Sonics

Today we’re digging Introducing The Sonics by The Sonics.

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