Lowrider
Los Angeles, 2005. (The photo is not from the book referred to in the text to the right.)
Photo: Martin Høyem
Lowrider Space
We take a special interest in scientific works on outlaw aesthetics here at American Ethnography Quasimonthly. And we also love us some writing on car customization. Thus, when we heard about Ben Chappell’s Lowrider Space, a new publication from the University of Texas Press, we perked up: any academic hep cat who takes a look at lowriders is cool, calm, and a solid wig as far as we’re concerned.
Lowrider Space draws on Chappell’s participant observation fieldwork among car clubs in Austin, Texas. He describes how the lowrider culture creates a social space for its participants, and he points to the value of this space for a group of people who – because of their social status in the society they live in – are often denied access to other spaces.
It’s a cool piece of research, and we’re stoked to share with you an excerpt from the book. Here’s “Regulating Lowrider Space.”
Anthropologist Heather Levi apprenticed with a retired luchador (wrestler) in Mexico City. She also observed live lucha libre events and interviewed wrestlers, referees, officials, promoters, and reporters, and gathered her insights in a beautiful work of ethnography, The World of Lucha Libre.
Here is an excerpt from Levi’s book.
In 1974 sociologist Howard Becker published “Photography and Sociology” He wrote: “Robert Frank’s […] enormously influential The Americans is in ways reminiscent both of Tocqueville’s analysis of American institutions and of the analysis of cultural themes by Margaret Mead and Ruth Benedict.”
Becker has gratuitously allowed us to re-publish the article for our readers: Photography and Sociology.
Browsing through some American wrestling magazines from the 1970’s we stumbled upon the make-believe world of apartment wrestling.
Patsy Holden writes about the history of the Waltz and Swing, both once considered “a nuisance and the downfall of American society.”
The finest, raunchiest, most teasing poster art from the world of burlesque, from the Folies Bergère to the retro-inspired scene of today. A high-octane, eye-popping collection of visual raunch and bump and grind. Visit the gallery here.
“American Ethnography is a stranger in a 1972 Riviera, sunburst yellow banged up and dirty, raving coffee madness cruising Main Street of the quiet desert town at 15 miles an hour …”
Today we’re digging Angels and Demons at Play by Sun Ra and his Myth Science Arkestra.
amazon
Like Primitive Savages …
