Lowrider car parked in garage. Water damage on the garage walls behind the car. Black and white poster showin Jim Morrison on garage wall, hung sideways. Some spraypainted black tag on the wall. Finger of photographer slightly covering camera lens.

Lowrider

Los Angeles, 2005. (The photo is not from the book referred to in the text to the right.)

Photo: Martin Høyem

 

Lowrider Space

We take a special interest in scientific works on outlaw aesthetics here at American Ethnography Quasimonthly. And we also love us some writing on car customization. Thus, when we heard about Ben Chappell’s Lowrider Space, a new publication from the University of Texas Press, we perked up: any academic hep cat who takes a look at lowriders is cool, calm, and a solid wig as far as we’re concerned.

Lowrider Space draws on Chappell’s participant observation fieldwork among car clubs in Austin, Texas. He describes how the lowrider culture creates a social space for its participants, and he points to the value of this space for a group of people who – because of their social status in the society they live in – are often denied access to other spaces.

It’s a cool piece of research, and we’re stoked to share with you an excerpt from the book. Here’s “Regulating Lowrider Space.”

Masks from North America

Enjoy a stroll through our gallery of photgraphy by Edward S. Curtis.

Hot Rod Kulture Culture

“A good thing about Polaroids,” artist and photographer Jack Butler says, “is that you take the picture and it’s ready right away, so you can use the photo to initiate a conversation with your subjects.”

Abstract Leanings

With a distinct bouquet of gasoline fumes and burnt rubber, these Robt. Williams’ automobile related oil paintings will chase you down like ethnographic hallucinations, vibrantly artistic, generously fantastic.

Ruth Benedict 1887-1948

We at American Ethnography think that the obituary pages of the newspaper are curiously delightful – when we read them we don’t read about death, we read about life, and therefore they leave us with high spirits.

With that in mind, here’s Ruth Benedict’s obituary, penned by Margaret Mead in 1949.

 

Stripping, social class, and the strange carnalities of research

Sociologist Danielle Egan worked as a striptease dancer and wrote about it. Here is an excerpt from her book Dancing for Dollars and Paying for Love.

What else?

Have you got some good stuff you think American Eth­no­gra­phy Quasi­monthly should cover? Please send us an email and tell us about it!

Proposal to perfume within your region

“It is my wish to book with you for a group of 10 students coming from Germany, as they are preparing for their contracted proposal to perfume within your region.”

More on our feedback page.

 

California’s long-standing association with odd-ball spirituality is a brilliant topic for a study. And since it is far from automatic that a brilliant topic results in a brilliant book, it’s a delight to see that writer Erik Davis and photographer Michael Rauner have succeeded so well in their undertaking.

What’s all this, then?
Black and white pen drawing of car interior with chain steering wheel.

American Ethnography is a stranger in a 1972 Riviera, sunburst yellow banged up and dirty, raving coffee madness cruising Main Street of the quiet desert town at 15 miles an hour …”

 
Record sleeve art: Art Blakey & The Jazz Messengers A Night In Tunisia

Today we’re digging A Night In Tunisia by Art Blakey & The Jazz Messengers.

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  • American Ethnography Quasimonthly is published by the Intercontinental Institute for Awesome Anthropology and Ethnographic Excellence
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